The parts of a brief that a writer or art director can use, and the parts that only look complete.
From a supplied layout to a bound job, and what "print-ready" has to include.
The usual columns, what a flight is, and how a plan differs from a buy.
Bleed, folio, insertion order, make-good, and related terms in ordinary language.
A structure used in internal reviews and awards entries, and what to do when a result is missing a baseline.
Questions that keep a short film honest: the problem as stated, the work shown, and the evidence offered.
What the work usually is in account service, planning, studio, traffic, copy, and art direction.
A small set of pieces, a clear note on the brief and your role, and how to label speculative work.
How the programs tend to differ, and a place to look up current media and communications listings.
